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Nearly a decade ago, Howard’s eldest child decided to practice Orthodox Judaism, and traded in Friday nights about town for 20-person Shabbat dinners in an uptown apartment.
Strappy dresses gave way to outfits that cover her elbows and knees.
“We never discussed what I’d be when I was growing up,” she says.
“It sort of did me a disservice.” She now works full-time as an artist (writing plays and music and acting) while also studying Torah at the Drisha Institute.
“Maybe because he was disconnected from the world, he experienced so much shame about who he was.” She grew up fasting for Yom Kippur and enjoying family Passover Seders, but her parents weren’t particularly religious.
Howard once said on air that he hated wearing yarmulkes and joked that the theme of Emily’s bat mitzvah should be “I hate Jews.” But Howard and Alison did practice Transcendental Meditation.
In 2005, she was cast in the off-off-Broadway play “Kabbalah.” Playing Madonna, Emily says she was “so excited for and committed to” the role that she colored her raven locks blond — and went nude.
But things went south after mediocre reviews surfaced.
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Emily got her first mantra at age 10, and still practices today.
In 2014, Howard told Jerry Seinfeld on an episode of “Comedians in Cars Getting Coffee” that “everyone in my life meditates; I don’t think I could really live without it.” Emily went on to graduate from the theater program at NYU’s Tisch School, but laments a lack of familial guidance when it came to pursuing a career.
18 at the Hadas Gallery in Clinton Hill, Brooklyn, that focuses on the water-retention landscape in Portugal.
Emily calls the works “Wells of Miriam” because it reminds her of the “mikveh,” a ritual bath in Judaism that’s associated with renewal.“This is my way to connect with the world,” she says of her art.